by Sarah Zabel
I always thought about hip hop as a style of music, but this week I learned that for some people it can become a way of life. Hip hop is a style of dance, clothing, and art.
Yesterday in Bondy, a Paris suburb, I got a taste of the Paris hip hop scene first hand during a hip-hop festival. (Festival Hip-hop dome, 2009)
Hearing about this event at a Bondy Blog story meeting, I didn’t know what to expect nor how the hip-hop scene of France would differ from that of Indianapolis. (If you could say there is a hip hop scene in Indianapolis.) Luckily, I met Alice Bauguil, 20, at the bus station on the way to the festival; she’s a dance student studying ballet. She says she likes hip hop because it allows freedom of creative possibilities.
At the festival I learned that hip hop is a culture that draws a variety of people from all different backgrounds and social situations. Alice explained that, for some people who are growing up in the suburbs, they use hip-hop dance as a form of expression and a way to vent frustrations
video from 2008 Dome
During the festival I saw a hip-hop dance battle. Pairs of dancers, guys against guys and girls verses girls, faced off against each other. With attitude, a dancer would begin, showing off his or her moves on a black-and-white checkered dance floor in the center of the gym. Onlookers, and fellow hip-hop dancers, sat around the floor watching and cheering. The dancer fed off the reactions of the crowd, and after a final move or pose, swaggered off, handing off the floor to the opposing team.
Alice’s comments about the community hip hop establishes were legit and I witnessed this throughout the day at the dance competition. Hip hop is more than a style of dance. It provides an outlet for self-expression as well as a sense of community for dancers. And besides, it’s fun to watch.






It turns out that in France the term “gang” does not apply to an organized criminal network to which people must pledge a life of allegiance as it does in the states. There are no nationwide networks like the Bloods and the Crips that have symbols and special tattoos and are obliged by membership to be aggressive toward one another.









But for these kids avoiding the issue is not the solution — it needs to be talked about.

Their concerns, however, are tangible, and it is obvious to me that my interviewees, like so many others here, are still dissatisfied 30 years (when unrest began to grow to a noticeably intensity).